The exhibition “The Revelation of Meyreuil” offers a retrospective of Mitchell Johnson’s work over 35 years. The “before and after” is striking, allowing the public to grasp the scope of a rare artist, who, in the words of WM (Whitehot Magazine of Contemporary Art, New York, January 2024) — paraphrasing Paul Valéry — is “a painter capable of conveying the pleasure of perception.”
